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A DVD (containing a 10-song live set from Brixton Academy (20 December 1997), 15 promotional videos and also 8 bonus videos including unreleased 'Behind the Scenes' content), and; A rare edition only released in Japan and South Korea which is limited to only 2000 copies and contains all of the above packaged in a cardboard box.
"Like Humans Do" is the fourth track from David Byrne's Look into the Eyeball and was also released as a single in 2001. Most notably, the radio edit version of the song (which omits the line referring to cannabis) was selected by Microsoft [1] as the sample music for Windows XP to demonstrate the new Windows Media Player, [2] though it was only included in early releases of the operating system.
"Law" is a single by American rapper Yo Gotti from his eighth studio album, The Art of Hustle (2016), and features American rapper E-40. It was released on March 28, 2016, as the second single from the album. [ 1 ]
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This is exemplified in the song "Their Law", with the spoken-word intro and the predominant lyric: the "Fuck 'em and their law" sample. Many years later, after the controversy had subsided, Liam Howlett criticised the album's title, referring to it as "stupid", and insisted that the album was never intended to be political. [6]
"Living with the Law" is a song recorded by American singer-songwriter and guitarist, Chris Whitley. It was the first single to be released from his 1991 début album, Living with the Law , and became a hit single in the United States, rising to No. 28 on the Billboard Mainstream Rock chart in 1991.
Bill Brown IV (born 1969) is an American composer [1] [2] of music for video games, films, and television productions. He is best known for creating the system sounds and tour software music for Microsoft's Windows XP operating system, as well as his work on the soundtracks of CSI: NY and several Quake, Rainbow Six, Ghost Recon, Command & Conquer, and Wolfenstein games in the 1990s and 2000s.
[4] A review of the song by Frank Owen in Spin praised Dr. Dre's production, saying that the producer "has a remarkable talent for making noise funky, and he shows it to great effect". [5] However, Owen criticized Above the Law as lyricists, writing, "they present this hardcore life without any of the dandy charm that Big Daddy Kane or Oran ...