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The Ballade No. 1 in G minor, Op. 23 is a ballade for solo piano by Frédéric Chopin. Completed in 1835, it is one of Chopin's greatest and most popular works. [ 1 ] A typical performance lasts nine to ten minutes.
In harmonic analysis and on lead sheets, a C minor chord can be notated as Cm, C−, Cmin, or simply the lowercase "c". A minor triad is represented by the integer notation {0, 3, 7}. A minor triad can also be described by its intervals : the interval between the bottom and middle notes is a minor third, and the interval between the middle and ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The second mazurka of the set is in C major with a tempo marking of Allegro non troppo, opening with a quiet alternation of C and G major sotto voce chords. [2] The trio is in D-flat major . The trio is closed by using repeated notes, generally open fifths . [ 3 ]
Dp stands for Dominant-parallel. The word "parallel" in German has the meaning of "relative" in English. G major and E minor are called parallel keys. The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann system. —
Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich) Piano Trio No. 2 (Mendelssohn) Piano Trio No. 3 (Brahms) Piano Trios, Op. 1 (Beethoven) Polonaises Op. 40 (Chopin) Pomp and Circumstance Marches; Popoli di Tessaglia! Prelude and Fugue in C minor, BWV 546; Prelude and Fugue in C minor, BWV 847; Prelude and Fugue in C ...
Mendelssohn's Piano Concerto No. 1 in G minor, Op. 25, was written in 1830–31, around the same time as his fourth symphony, and premiered in Munich on 17 October 1831. [1] This concerto was composed in Rome during a travel in Italy after the composer met the pianist Delphine von Schauroth in Munich. The concerto was dedicated to her.
The Piano Sonata No. 2 in G minor, Op. 22 was composed by Robert Schumann from 1830 to 1834. [1] [a] It was one of his three full-length attempts at the sonata genre, the other completed ones being the Piano Sonata No. 1 in F sharp minor (Op. 11) and the Piano Sonata No. 3 in F minor (Op. 14). Because it was published only in 1839, three years ...