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Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres , derived from the Spanish guitar .
Around 1910 the Son most likely adopted the clave rhythm from the Havana-based rumba, which had been developed in the late 19th century in Havana and Matanzas. [164] The mass popularization of Son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it. It also opened the door for other music genres ...
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Festivities in 1948. Pregón, a Spanish word meaning announcement or street-seller's cry, has a particular meaning in both Cuban music and Latin American music in general. It can be translated as a song based on a street-seller's cry or a street-seller's song ("canto de los vendedores ambulantes").
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Ignacio Piñeiro Martínez (May 21, 1888 – March 12, 1969) was a Cuban musician, bandleader and composer whose career started in rumba and flowered in the rise of the son. He was one of the most important composers of son music; in total he wrote about 327 numbers, mostly sones.
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Son sabrosón: antesala de la salsa is a 1999 documentary film directed by Hugo Barroso, part of the series Vengo de Cuba of Cuban music documentaries. [1] It outlines the origins and development of son cubano , including interviews with musicians such as Celia Cruz and Roberto Torres , and musicologists such as Eloy Crespo.