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National costumes of Poland (Polish: stroje ludowe) vary by region. They are typically not worn in daily life but at folk festivals, folk weddings, religious holidays, harvest festivals and other special occasions. [1] The costumes may reflect region and sometimes social or marital status. [1]
The czupryna (Polish: wysokie polskie cięcie, podgolony łeb, łaszczówka), also known as the Polish halfshaven head, is a traditional Polish noble haircut, associated mainly with Sarmatism, but worn by Poles in the Middle Ages too. It is marked by shaving hair above the ears and on the neck at the same height, with longer hair on the top of ...
A painting of cornette-wearing Sisters of Charity by Armand Gautier (19th-century) Polish nun wearing a white cornette and habit in 1939 A cornette is a piece of female headwear. It is essentially a type of wimple consisting of a large starched piece of white cloth that is folded upward in such a way as to create the resemblance of horns ...
A traditional hat of Assam, India. Plain and decorative jaapis are available. Kalpak: A traditional hat of Bulgaria, Turkey, Ukraine and Central Asia. Made primarily of lamb fur, it comes in a variety of regional styles. Karakul: A hat made from the fur of the Karakul breed of sheep, typically worn by men in Central and South Asia.
Czapka of the officer of 3rd Uhlan Regiment 1815-1831. Czapka (/ ˈ tʃ æ p k ə /, Polish pronunciation: [ˈt͡ʂapka]; also spelt chapka or schapska / ˈ ʃ æ p s k ə /) [1] is a Polish, Belarusian, and Russian generic word for a cap.
Bongrace – a velvet-covered headdress, stiffened with buckram – 16th century; Breton – originating in 19th-century France, a lightweight hat, usually in straw, with upturned brim all the way round; Capeline – 18th–19th century; Capotain (and men) – a tall conical hat, 17th century, usually black – also, copotain, copatain
Over the headdress, gauze or silk was sometimes draped for weight distribution or aesthetic purposes. [1] The escoffion style was a sub-branch of a popular style of headwear called hennin . The style of the escoffion developed over time, eventually given its own name because of its popularity and distinct features which differed from the ...
These headdresses were shaped like bags, made of gold, silver or silk network. At first they fitted fairly close to the head, the edge, band or rim being placed high up on the forehead, to show some hair on the temples and around the nape; they enclosed the head and hair, and were secured by a circlet or fillet. Jewels were often set at ...