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In this stage of his career Watts regularly painted images linking awe-inspiring natural events and the will of God. [20] His focus on the Sun reflects his longstanding interest in it as a divine symbol; The Sacrifice of Noah, painted c. 1865, showed Noah sacrificing to the sun in thanks for his family's salvation. [17]
The Flood of Noah and Companions (c. 1911) by Léon Comerre. The Genesis flood narrative (chapters 6–9 of the Book of Genesis) is a Hebrew flood myth. [1] It tells of God's decision to return the universe to its pre-creation state of watery chaos and remake it through the microcosm of Noah's ark.
Noah's Ark floats in the background while people struggle to escape the rising water of the Great Flood. Detail from the scene of the Great Flood The sacrifice of Noah after the Flood (in context, before restoration).
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The structure of the Ark (and the chronology of the flood) is homologous with the Jewish Temple and with Temple worship. [9] Accordingly, Noah's instructions are given to him by God (Genesis 6:14–16): the ark is to be 300 cubits long, 50 cubits wide, and 30 cubits high (approximately 134×22×13 m or 440×72×43 ft). [10]
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Scene from the Great Flood (1826), by Joseph-Désiré Court. Scene from the Great Flood or The Great Flood is an 1826 painting of Noah's flood by Joseph-Désiré Court.It was first exhibited at the Paris Salon on 4 November 1827 although - as a laureate of the Prix de Rome - he could not compete for the awards of that Salon.