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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style).
Broadly speaking, due to the development of harmony, from the Baroque period on, most contrapuntal compositions were written in the style of free counterpoint. This means that the general focus of the composer had shifted away from how the intervals of added melodies related to a cantus firmus, and more toward how they related to each other.
Extreme example of ornamentation as a fioritura from Chopin's Nocturne in D ♭ major. In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity ...
Primary sources for Baroque music, principally manuscript collections. Pages in category "Baroque music manuscript sources" The following 23 pages are in this category, out of 23 total.
An alleged "Opus 13", Il pastor fido (The Faithful Shepherd) was published in 1737 by Jean-Noël Marchand through a secret agreement with Nicolas Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name.
An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier – broadly, music produced before about 1750.
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
A battaglia is a form of Renaissance and Baroque programme music imitating a battle. The Renaissance form is typically in the form of a madrigal for four or more voices where cannons, fanfares, cries, drum rolls, and other noises of a battle are imitated by voices. The Baroque form is more often an instrumental depiction of a battle. [1]