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The Cello Music Collection of the University of North Carolina at Greensboro violoncello, cello, manuscript: The largest single holding of cello music–related materials in the world, including annotated sheet music (manuscript and published), monographs, serials, audio/video recordings, personal papers, and artifacts associated with noted ...
Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Cello Concerto in D major, based on Carl Maria von Weber's Clarinet Concerto No. 2 in E-flat major, Op. 74; Cello Concerto in D major, based on Mozart's Horn Concerto No. 3 in E-flat major, K. 447; Cello Concerto in A minor, based on Schubert's Sonata for Arpeggione and Piano, D. 821; Jean Cras. Légende (1929) César Cui. Deux morceaux Op. 36 ...
Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
Arlequin in G major, esquisse-caractéristique, for violin (or cello) and piano Introduction et Scherzo , from the ballet "Namouna" (c.1884) Sérénade , from the ballet "Namouna" (arranged by A.Bachmann, c.1905)
The sonata form first movement contrasts a broad first theme in the cello, accompanied by flowing piano arpeggios, developed by the piano until reaching a climax. The second theme is first played by the piano, then followed by the cello. In the development a rhythmic motif goes through the flowing textures of the first theme.