Search results
Results From The WOW.Com Content Network
The Sarangapani Temple, Thirukudanthai, or Kumbakonam koyil is a Hindu temple dedicated to Vishnu, located in Kumbakonam, Tamil Nadu, India.It is one of the Divya Desams, the 108 temples of Vishnu revered in Nalayira Divya Prabandham by the 12 poet saints, or Alvars. [1]
Sarangapani was a composer of Carnatic music who lived during the 17th century in the village of Karvetinagaram in Andhra Pradesh. [1] He is famous for his composition of Padams, a type of Carnatic song sung during Bharatanatyam performances.
Sharangapani is a popular epithet of the Hindu god Vishnu.It means "one who holds the sharanga bow in his hand".. Sharangapani may also refer to: . Sarangapani Temple, a temple of Vishnu in Kumbakonam, Tamil Nadu, India
The flavoured water, or pani in Hindi, used to dunk the filling is made either of tamarind, asafoetida, mint, garlic, lemon or jaljeera – a type of flavoured water made with chilli, cumin (jeera ...
Sharanga (Sanskrit: शारङ्ग, romanized: Śāraṅga) also spelt as Saranga, is the celestial bow of the Hindu god Vishnu, [1] primarily associated with his avatar of Rama. [2] In South India , the Sharanga is also simply known as the Kodanda , literally meaning bow. [ 3 ]
Thamizhavel Go. Sarangapani, (Tamil: தமிழவேள் கோ. சாரங்கபாணி, 19 April 1903 – 16 March 1974) or Kosa as he was also known, a Tamil writer and publisher, was born in Thiruvarur, Tamil Nadu, on 20 April 1903.
On 28 February 2021, the third song "Saranga Dariya" featuring vocals by Mangli and lyrics by Suddala Ashok Teja was released. [11] The lyrical song received praise for Sai Pallavi's dance choreography and the vocals by Mangli adding a "perfect Telangana nativity to the folk number". [12] The song had crossed more than 100 million views upon ...
Vedhala Ulagam (transl. Demon Land) is a 1948 Indian Tamil-language fantasy film directed and produced by A. V. Meiyappan, and written by P. Neelakantan.Adapted from the play of the same name by Pammal Sambandha Mudaliar, the film stars T. R. Mahalingam, K. Sarangapani, Mangalam, K. R. Chellam and C. T. Rajakantham.