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A 1966 book review in Kirkus Reviews called the novel "a slow-moving one, filled with a tremendous number of ideas, views, speculations imposed in an attempt to convey the contradictions between not only England and India, but within India itself, a cosmos in which there are many circles within circles, mystical, social, political." The review ...
Another large city in the province is Mayapore, which was the key setting in The Jewel in the Crown. The princely state of Mirat is a nominally sovereign enclave within the province. Pankot is a "second class" hill station in the province which serves as a headquarters for the 1st Pankot Rifles, an important regiment of the Indian Army, who ...
The Raj Quartet is set in this tumultuous background for the British soldiers and civilians stationed in India who have a duty to manage this part of the British Empire, known as the "jewel in the crown" of the British monarch. One recurrent theme is the moral certainty of the older generation as contrasted with the anomie of the younger. [2]
Created Date: 8/30/2012 4:52:52 PM
The Jewel in the Crown is a 1984 British television serial about the final days of the British Raj in India during and after World War II, based on British author Paul Scott's Raj Quartet novels. Granada Television produced the series for the ITV network .
They are American authors of over 130 works of juvenile and young adult fiction, most notably the series "The Jewel Kingdom" (Scholastic, 1997), and "Bad News Ballet" (Scholastic, 1989). They also wrote the best-selling juvenile horror books "Scared Stiff" (Scholastic, 1991) and "Scared to Death" (Scholastic, 1992). [ 2 ]
The Jewel in the Crown may refer to: India's nickname during the British Raj. The Jewel in the Crown, a 1966 novel by Paul Scott; The Jewel in the Crown, a 1984 television series based on the Paul Scott novel; Jewel in the Crown, a 1995 album by Fairport Convention
The Crown is a historical drama web television series about the reign of Queen Elizabeth II, created and principally written by Peter Morgan, and produced by Left Bank Pictures and Sony Pictures Television for Netflix. It grew out of Morgan's film The Queen (2006) and his stage play The Audience (2013).