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A moda da Chamarrita Nã tem nada que aprender, E andar comum pé no ar E outro no chão a bater Quero cantar e bailar Com a moça mais bonita Bater o pé no terreiro Dar voltas a Chamarrita The old Chamarrita dance. Is really easy to learn. Just lift a foot in the air. And stamp the other on the floor. I want to sing and dance. With the ...
In Entre Ríos, Linares Cardozo performed a remarkable work of preservation of Entre Ríos folklore, especially the chamarrita, besides contributing his own works to the folk songbook, such as the well-known "Canción de cuna costera" and "Soy entrerriano", considered the anthem of the province. [89] [90]
Alfredo Zitarrosa (March 10, 1936 – January 17, 1989) was a Uruguayan singer-songwriter, poet and journalist. He specialized in Uruguayan and Argentinean folk genres such as zamba and milonga, and he became a chief figure in the nueva canción movement in his country.
Musical interest also extended to the traditional dances, where many played or danced to a folkloric style that included Chamarrita, Saudade, Samacaio, Pézinho, Lira, and Pêssegos. [9] Many of the ethnographic groups that were formed in the 20th century were an attempt to protect and maintain these traditional dance forms and melodies, in ...
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Rebita (or Massemba) is a traditional music and dance from Angola. [1] It is a genre of music and dance in which a circle of couples, led by a coordinator in the middle, dance in a traditional movement called Massemba.
The repertoire consists of the 2/2 chula and 3/4 chamarrita. [3] In Portugal, the rabeca chuleira (also known as rabeca rabela, chula de Amarante, chula de Penafiel or ramaldeira depending on the region it is played with very little variation) is still widely associated with the people of Minho, Douro Litoral and, to some extent, Beira Litoral ...