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The Thieving Magpie (La Gazza Ladra) is a double live album by the British neo-prog band Marillion.It was named after the introductory piece of classical music the band used before coming on stage during the Clutching at Straws tour 1987–1988, the overture to Rossini's opera La gazza ladra, which translates as "The Thieving Magpie".
The 12" version contained an additional two tracks from the second half of Misplaced Childhood, which are also not found on the vinyl version of The Thieving Magpie. A CD replica of the single was also part of a collectors box-set released in July 2000 which contained Marillion's first twelve singles and was re-issued as a 3-CD set in 2009 (see ...
Made Again is a 1996 double live album by Marillion, their first live recording with singer Steve Hogarth.The first disc contains material recorded in London on the Holidays in Eden tour (1991) and in Rotterdam on the Afraid of Sunlight tour (1995); the second disc consists of a full live version of the album Brave recorded in Paris in 1994.
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La gazza ladra (Italian pronunciation: [la ˈɡaddza ˈlaːdra], The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez.
B'Sides Themselves is a compilation of single B-sides by the British neo-prog band Marillion, which was released on CD only in January 1988.This was the first time that those B-sides were made available in the then still relatively new Compact Disc format (with the exception of "Tux On", which had featured on a limited edition CD single of "Sugar Mice" that was only sold at concerts).
This Strange Engine is the ninth studio album by the British neo-prog band Marillion, released in April 1997 by the Castle Communications imprint Raw Power. It was the first of the three recordings that Marillion made under contract with Castle, after being dropped by EMI Records in 1995 and before eventually going independent in 2000.
Kelly is credited with inventing [5] online crowdfunding to fund the recording of Marillion's 2001 album Anoraknophobia, following a fan-funded Marillion tour of the United States in 1997, and pioneered many of the ideas copied by other music artists since. [6]