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The Pied Piper of Hamelin is an American musical film based on the famous poem of the same name by Robert Browning and using the music of Edvard Grieg, arranged by Pete King with new lyrics by Hal Stanley and Irving Taylor. It stars Van Johnson, Claude Rains (in his only singing and dancing role), Lori Nelson, Jim Backus and Kay Starr. [1]
"Thematic elements", or "thematic material", is a term used by the Motion Picture Association and other film ratings boards to highlight elements of a film that do not fit into the traditional categories such as violence, sex, drug use, nudity, and language, but may also involve some degree of objectio
"Eldorado" was one of Poe's last poems. As Poe scholar Scott Peeples wrote, the poem is "a fitting close to a discussion of Poe's career." [6] Like the subject of the poem, Poe was on a quest for success or happiness and, despite spending his life searching for it, he eventually loses his strength and faces death. [6]
Poem Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
Poetry (Korean: 시; Hanja: 詩; RR: Si) is a 2010 South Korean-French drama film written and directed by Lee Chang-dong. [2] It tells the story of a suburban woman in her 60s who begins to develop an interest in poetry while struggling with Alzheimer's disease and her irresponsible grandson.
Emily, now confined to her room, will not come downstairs. She upbraids the visiting newspaper editor for altering the punctuation of her poems, objecting to Dr Holland’s changes as “obviousness”. She refuses to come down meet a potential suitor who admires her poetry – fearing he is too beautiful.
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The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary or film poem without the hyphen) [1] is a label first applied to American avant-garde films released after World War II. [2] During this time, the relationship between film and poetry was debated.