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Originally uploaded as en:File:Example of biblical Hebrew trope.svg on 04:27, 19 November 2006 (UTC) by en:User:SyntaxError55. The raster image en:Filegghfm:Example of biblical Hebrew trope.png upon which this file was based was uploaded to en:wiki by en:User:Ezra Katz in January and September 2006. Source
Hebrew cantillation, trope, trop, or te'amim is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points .
Mahpach (Hebrew: מַהְפַּךְ, with variant English spellings) is a common cantillation mark found in the Torah, Haftarah, and other books of the Hebrew Bible. It is part of the Katan group, and it frequently begins the group. The symbol for the Mahpach is <. [1] Mahpach is always followed by a pashta.
The Star of David, a symbol of Judaism as a religion, and of the Jewish people as a whole. [1] It also thought to be the shield (or at least the emblem on it) of King David. Jewish lore links the symbol to the "Seal of Solomon", the magical signet ring used by King Solomon to control demons and spirits. Jewish lore also links the symbol to a ...
The Illuy or Iluy (Hebrew: עִלּוּי) is a Trope (from Yiddish טראָפּ "trop") in the Judaic Liturgy.It is one of the cantillation marks used in the three poetic books: Job, the Book of Proverbs, and the Psalms.
Darga (Hebrew: דַּרְגָּא) is a cantillation mark commonly found in the Torah, Haftarah, and other books. The symbol for the darga resembles a backwards Z. [1] The darga is usually followed by a Tevir. [2] It is most often found in places where a Tevir clause has two words which are closely related. [3]
The following other wikis use this file: Usage on bn.wikipedia.org C; Usage on cs.wikipedia.org Gimel; Usage on es.wikipedia.org C; Usage on io.wikipedia.org
In the Second Temple period, Jewish art was heavily influenced by the Biblical injunction against graven images, leading to a focus on geometric, floral, and architectural motifs rather than figurative or symbolic representations. This artistic restraint was a response to the Hellenistic cultural pressures that threatened Jewish religious ...