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The salons were seen by contemporary writers as a cultural hub for the upper middle class and aristocracy, responsible for the dissemination of good manners and sociability. Salons became a center of intellectual conversation, as well as a debate stage for social issues, playing host to many members of the Republic of Letters. In contrast to ...
Indeed, according to Jolanta T. Pekacz, the fact women dominated history of the salons meant that study of the salons was often left to amateurs, while men concentrated on 'more important' (and masculine) areas of the Enlightenment. [27] Portrait of Mme Geoffrin, salonnière, by Marianne Loir (National Museum of Women in the Arts, Washington, DC)
The salon culture was introduced to Imperial Russia during the Westernization Francophile culture of the Russian aristocracy in the 18th century. During the 19th century, several famous salon functioned hosted by the nobility in Saint Petersburg and Moscow, among the most famed being the literary salon of Zinaida Volkonskaya in 1820s Moscow.
From the seventeenth century to the early part of the twentieth century, artistic production in France was controlled by artistic academies which organized official exhibitions called salons. In France, academies are institutions and learned societies which monitor, foster, critique and protect French cultural production.
These cycles are evident in men’s hair, too. At the exhibition, I overheard a young woman looking at the subject of a 16th-century portrait by Flemish Renaissance painter Pieter Pourbus. “That ...
It depicts the salon of Marie Thérèse Geoffrin in Paris at the middle of the eighteenth century. A conversation piece it depicts many figures from the Age of Enlightenment. [2] Produced during the Napoleonic era, it represents a nostalgic view of the intellectual elite of the Ancien Régime. [3] It depicts a reading of Voltaire's play The ...
The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least the next 200 years.
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