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Auro 11.1 is a channel-based system and thus differs in capability compared to competing formats such as Dolby Atmos and DTS:X. The height layer allows for placement of background reflections and reverberations observed in nature as well as allowing for smooth panning from the base layer to the ceiling.
Dolby Atmos home theaters can be built upon conventional 5.1 and 7.1 layouts. For Dolby Atmos, the nomenclature differs slightly by an additional number at the end, that represents the number of overhead or Dolby Atmos enabled speakers: a 7.1.4 Dolby Atmos system is a conventional 7.1 layout with four overhead or Dolby Atmos enabled speakers.
7.1.2 and 7.1.4 immersive sound along with 5.1.2 and 5.1.4 format adds either 2 or 4 overhead speakers to enable sound objects and special effect sounds to be panned overhead for the listener. Introduced for theatrical film releases in 2012 by Dolby Laboratories under the trademark name Dolby Atmos .
22.2 or Hamasaki 22.2 (named after Kimio Hamasaki, a senior research engineer at NHK Science & Technology Research Laboratories in Japan) is the surround sound component of Super Hi-Vision (a new television standard with 16 times the pixel resolution (7680×4320) of HDTV (1920x1080).
Dolby Surround 7.1 (sometimes called Dolby 7.1 surround sound) is a sound system by Dolby Laboratories which delivers theatrical 7.1 surround sound to movie-goers. It is the most recent addition to a family of audio compression technologies developed by Dolby known as Dolby Digital. It adds two new channels to current Dolby Digital 5.1.
English: Speaker layout showing 7.1 Atmos setup with 4 overhead speakers (in gray) Date: 19 March 2021: Source: Own work: Author: Zrowny: Licensing.
Dolby Stereo is a sound format made by Dolby Laboratories. It is a unified brand for two completely different basic systems: the Dolby SVA (stereo variable-area) 1976 system used with optical sound tracks on 35mm film, [1] and Dolby Stereo 70mm noise reduction on 6-channel magnetic soundtracks on 70mm prints. [2]
TV Hell was a BBC2 theme night broadcast on 31 August 1992, showing a whole evening of archive television clips widely regarded by critics [who?] and the public alike as among the worst ever produced in Britain. [1] It followed an unrelated series of archive theme nights called "TV Heaven", shown on Channel 4 earlier that same year.