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English: Skeleton of a dog: A – Cervical or Neck Bones (7 in number). B – Dorsal or Thoracic Bones (13 in number, each bearing a rib). C – Lumbar Bones (7 in number).D – Sacral Bones (3 in number). E – Caudal or Tail Bones (20 to 23 in number). 1 – Cranium, or Skull. 2 – Maxilla. 3 – Mandible, or Lower jaw . 4 – Atlas. 5 – Axis.
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Dog paw. The paw of the dog has a digitigrade orientation. The vertical columnar orientation of the proximal bones of the limbs, which articulate with distal foot structures that are arranged in quasi-vertical columnar orientation, is well-aligned to transmit loadings during weight-bearing contact of the skeleton with the ground.
The bone is too mineralized to be dated, but the carving has been authenticated as having been made before the bone became mineralized. The anatomical correctness of the carving and the heavy mineralization of the bone indicate that the carving was made while mammoths and/or mastodons still lived in the area, more than 10,000 years ago. [2] [3 ...
Scytho-Siberian art is the art associated with the cultures of the Scytho-Siberian world, primarily consisting of decorative objects such as jewellery, produced by the nomadic tribes of the Eurasian Steppe, with the western edges of the region vaguely defined by ancient Greeks.
Applique scissors: An offset handle and paddle-shaped blade pushes away the bottom layer of fabric, for controlled cuts close the stitching. Designed to cut/trim close to the fabric while protecting it from damage, and used for appliqué work and rug-making. Button hole scissors: Adjustable, short-bladed, heavy-duty scissors for opening button ...
From the St. Louis Post-Dispatch of November 7, 1909, the Billiken sketch at the left is by Florence Pretz and the drawing of Pretz is by journalist Marguerite Martyn.. The Billiken is a charm doll created by an American art teacher and illustrator, Florence Pretz of Kansas City, Missouri, who is said to have seen the mysterious figure in a dream. [1]
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.