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Cobalt pigments. Aureolin or cobalt yellow (PY40): potassium cobaltinitrite (K 3 Co(NO 2) 6). Iron pigments. Yellow ochre (PY43): a naturally occurring clay of monohydrated ferric oxide (Fe 2 O 3 ·H 2 O). Lead pigments. Naples yellow (PY41). Lead-tin-yellow: PbSnO 4 or Pb(Sn,Si)O 3. Titanium pigments. Titanium yellow (PY53): NiO·Sb 2 O 3 ...
The CMYK color model is based on the CMY color model, which omits the black ink. Four-color printing uses black ink in addition to subtractive primaries for several reasons: [2] In traditional preparation of color separations, a red keyline on the black line art marked the outline of solid or tint color areas. In some cases a black keyline was ...
Acrylic paints with gloss or matte finishes are common, although a satin (semi-matte) sheen is most common. Some brands exhibit a range of finishes (e.g. heavy-body paints from Golden, Liquitex, Winsor & Newton and Daler-Rowney); Politec acrylics are fully matte. [21] As with oils, pigment amounts and particle size or shape can affect the paint ...
Ink is a gel, sol, or solution that contains at least one colorant, such as a dye or pigment, and is used to color a surface to produce an image, text, or design. Ink is used for drawing or writing with a pen , brush , reed pen , or quill .
Gall-nuts were also used for making fine black writing ink. Iron gall ink (also known as iron gall nut ink or oak gall ink) was a purple-black or brown-black ink made from iron salts and tannic acids from gall nut. It was the standard writing and drawing ink in Europe, from about the 12th century to the 19th century, and remained in use well ...
Luminous ink under ultraviolet light Fluorescent paintings lit by black light. Black light paint or black light fluorescent paint is luminous paint that glows under a black light. It is based on pigments that respond to light in the ultraviolet segment of the electromagnetic spectrum. The paint may or may not be colorful under ordinary light.
The particle size of the inorganic pigments is often larger than that of organic pigments, thus inorganic pigments are often not suitable to be used in offset printing. [15] In screen printing, the particle size of the pigment is not the limiting factor. Thus it is the preferred printing method for printing jobs requiring extreme lightfastness.
Gouache tends to be used in conjunction with watercolor, and often ink or pencil, in 19th-century paintings. Later that century, for decorative uses "poster paint" (as it is known in the U.S.), was mass-produced, based on the much cheaper dextrin binder. It was sold in cans or as a powder to be mixed with water.