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violin, cello, contrabass, piano. Sonata In One Movement on Kalenda Maya (1983) solo organ. Up Where the Air Gets Thin (1985) cello and contrabass. With Love & Hisses (1985) double woodwind quintet. Accompanies the silent Laurel and Hardy film "Love and Hisses." Juba (1986) cello and piano. Song Without Words (1986) clarinet and piano
Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Chamber music: 6: 1932: Cello Sonata: for cello and piano Chamber music: 11: 1936: String Quartet in B minor: for 2 violins, viola and cello: slow movement arranged for string orchestra as Adagio for Strings (1936) Chamber music: 1941: Commemorative March: for violin, cello and piano Chamber music: 1947: String Quartet in E major, second mvt ...
An example of a clarinet–viola–piano trio existed several hundred years before the clarinet–violin–piano trio; Mozart composed the Kegelstatt Trio in the 18th century, and the Romantic composer Max Bruch composed a suite of eight pieces for this combination, as well as a double concerto for viola, clarinet, and orchestra. Many of these ...
Six Studies in English Folk Song is a piece of chamber music written by English composer Ralph Vaughan Williams in 1926. It is a collection of six English folk songs set for cello and piano. Each song follows the same format: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented ...
Sonata for cello and organ, op. 36; Max Reger. Aria, from Suite for violin and piano in A major, Op. 103a; Josef Rheinberger. Abendlied, No. 3 from Geistliche Gesänge, Op. 69 (originally for choir SSATTB) 3 Pièces, from 6 Pièces for violin and organ, op. 150; Dominique Rivolta Mélodie transmutée; Daniel Roth
violin and piano also for piano, orchestra and numerous arrangements: à Carice (C. Alice Elgar) — Schott 13: 1889–90: Two pieces: chamber: violin and piano 1. Mot d'Amour (1889) 2. Bizarrerie (1890) — — — 13.1: 1889: Mot d'Amour: chamber: violin and piano first pub. as Liebesahnung, companion piece to Liebesgruss: Alice (C. Alice ...
Fantasia for violin and computer-controlled piano. Same work as Vocalise No. 1 rescored for violin instead of vocal soloist. Ghouls for French horn and tuba. Also arranged for cello and double bass, or 2 cellos. Duration: 4 minutes. Trio for flute, viola, guitar. Also arranged for violin, viola and cello.