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Fantastia on "The Desire" (Schubert) for Cello and Orchestra (1891) [2] Fantasia on Cavalleria rusticana (Mascagni) for Violin and Orchestra (1893) [2] Légende for Cello and Orchestra (1893) Cello Concerto No.2, Op.30 in E minor (1894) Five pieces for Cello and Orchestra (1900) (arrangement from Sam Dennison and Orchestrated by Lynn Harrell)
violin, cello, contrabass, piano. Sonata In One Movement on Kalenda Maya (1983) solo organ. Up Where the Air Gets Thin (1985) cello and contrabass. With Love & Hisses (1985) double woodwind quintet. Accompanies the silent Laurel and Hardy film "Love and Hisses." Juba (1986) cello and piano. Song Without Words (1986) clarinet and piano
Sheet Music This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise.
"The Love Bug" was released by Avex Group record label Rhythm Zone on March 17, 2004, as the third lead single for M-Flo's third studio album Astromantic (2004). It consists of one of the many songs released as a collaboration with various singers as part of the group's "M-Flo Loves" series, which commenced the year prior following the departure of vocalist Lisa from M-Flo.
Double Concerto ("All'inglese"), for Violin, Cello, Strings & Continuo in A major, RV 546; Concerto for Violin, Cello and Strings in B-flat major, Op. 20, No. 2; Concerto for Violin, Cello and Strings in F major RV 308; Concerto for Violin, Cello and Strings in A major RV 238; Henri Vieuxtemps. Duo brilliant, for Violin, Cello and Orchestra, Op. 39
"Love Bug", also spelled "Lovebug," is a song by American country music artist George Jones. Jones' version, which also features a young Johnny Paycheck on backup vocals and draws heavily from the Bakersfield sound as popularized by Buck Owens , reached #6 on the Billboard Hot Country Songs chart in 1965.
The love duet between the two is replaced by anger as Liang learns that in his absence, Zhu has been betrothed to another. The solo violin launches into a brilliant and difficult passage, supported by chords from the orchestra, but eventually returns to the original melody representing love, accompanied again by the cello solo.
"Speak, Music!" song: voice and piano: Mrs E. Speyer, Ridghurst [40] A. C. Benson: Boosey 42: 1901: Grania and Diarmid: incidental: music for a play by George Moore and W. B. Yeats, for orchestra and contralto soloist 1. Incidental Music and Funeral March 2. Song, "There are seven that pull the thread" Henry J. Wood — Novello 42.1: 1901 ...