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The Chinese idea of the universal God is expressed in different ways. There are many names of God from the different sources of Chinese tradition. [17] The radical Chinese terms for the universal God are Tian (天) and Shangdi (上帝, "Highest Deity") or simply, Dì (帝, "Deity"). [18] [19] There is also the concept of Tàidì (太帝, "Great ...
Caishen (traditional Chinese: 財神; simplified Chinese: 财神; lit. 'God of Wealth') is the mythological figure worshipped in the Chinese folk religion and Taoism . He has been identified with many historical figures, viewed as his embodied forms, among whom Zhao Gongming ( 趙公明 , Wade–Giles : Chao Kung-ming ; also known as Zhao Gong ...
Shangdi (Chinese: 上帝; pinyin: Shàngdì; Wade–Giles: Shang 4 Ti 4), also called simply Di (Chinese: 帝; pinyin: Dì; lit. 'God'), [1] is the name of the Chinese Highest Deity or "Lord Above" in the theology of the classical texts, especially deriving from Shang theology and finding an equivalent in the later Tiān ("Heaven" or "Great Whole") of Zhou theology.
The term is commonly used in Chinese culture to denote the three attributes of a good life. Statues of these three gods are found on the facades of folk religion's temples, ancestral shrines , in homes and many Chinese-owned shops, often on small altars with a glass of water, an orange or other auspicious offerings, especially during Chinese ...
In Chinese mythology, Shennong taught humans the use of the plow, aspects of basic agriculture, and the use of cannabis.Possibly influenced by the Yan Emperor mythos or the use of slash-and-burn agriculture, [4] Shennong was a god of burning wind.
Nezha has frequently appeared in Chinese mythology and ancient Chinese literature such as Fengshen Yanyi (or Investiture of the Gods), although the story of Nezha Conquering the Sea is the most well known among Chinese households. In Journey to the West, Nezha was a general under his father, "Pagoda-wielding Heavenly King" Li Jing.
The gates and doors of Chinese houses have long received special ritual attention. [1] Sacrifices to a door spirit are recorded as early as the Book of Rites. [1] [2] By the Han, this spirit had become the two gods Shenshu and Yulü, whose names or images were painted into peachwood and attached to doors. [1]
The ancient Chinese self-identified as "the gods of the dragon" because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and qi energy. [10] Dragon-like motifs of a zoomorphic composition in reddish-brown stone have been found at the Chahai site (Liaoning) in the Xinglongwa culture (6200–5400 BC). [2]