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The 1970s was an incredibly productive decade for Mandel. [5] Before he turned 21 Mandel completed People in Cars and Myself: Timed Exposures among a number of conceptual photography projects, many of them self-published in book form that were later (2015) collected and re-published as a boxed edition of facsimile books and objects entitled Good 70s, edited by Mandel, Jason Fulford and Sharon ...
Zoom burst, a photograph taken with a zoom lens, whose focal length was varied during the course of the exposure. In a sense, ICM is the same effect as (intentional) single-exposition motion blur: in the former the camera moves during exposure, in the second the target moves, but they have in common that there is relative motion between camera and target, often resulting in streaking in the image.
Galloping horse, animated using photos by Muybridge (1887) Eadweard Muybridge (/ ˌ ɛ d w ər d ˈ m aɪ b r ɪ dʒ /; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection.
Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Kinetic photography (kinetic meaning "caused by motion") [1] is an experimental photographic technique in which the photographer uses movement resulting from physics to create an image. This typically involves the artist not directly holding the camera , but allowing the camera to react to forces applied to it in order to make a photograph.
James H. Karales (July 15, 1930, Canton, Ohio – April 1, 2002, Croton-on-Hudson, N.Y.) was an American photographer and photo-essayist best known for his work with Look magazine from 1960 to 1971.
The exposure time must be long enough to allow the background to blur due to the camera movement as the photographer follows the subject in the viewfinder. The exact length of exposure required will depend on the speed at which the subject is moving, the focal length of the lens and the distance from the subject and background.
Between 1940 and 1959, Walker Evans was awarded three Guggenheim Fellowships in Photography to continue his work of making record photographs of contemporary American subjects. [20] Evans was a passionate reader and writer, and in 1945 became a staff writer at Time. [21] Shortly afterward, he became an editor at Fortune through 1965. That year ...