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The Arabic ghazal inherited the formal verse structure of the qaṣīda, specifically, a strict adherence to meter and the use of the qafiya, a common end rhyme on each couplet (called a bayt in Arabic and a sher in Persian). [4] The nature of the ghazals also changed to meet the demands of musical presentation, becoming briefer in length.
Ghazal poets frequently use this story as a simile or reference point to portray their love as similarly obsessive and pure. [40] Urdu ghazal is a form of lyrical poetry that originated in the Urdu language during the Mughal Empire. It consists of rhyming couplets, with each line sharing the same meter. [42]
The typical three-part structure runs as follows: [3] A desert motif ... The ghazal developed from the first part of qasida in which poets praised their sweethearts.
An illustrated headpiece from a mid-18th century collection of Persian ghazals. The ghazal (Urdu: غزل, Persian: غزل) is a form of poetry consisting of couplets which share a rhyme and a refrain, with both lines of the opening couplet and the second line of each subsequent couplet adhering to the same meter.
Rumi's ghazal 163, which begins Beravīd, ey harīfān "Go, my friends", is a Persian ghazal (love poem) of seven verses by the 13th-century poet Jalal-ed-Din Rumi (usually known in Iran as Mowlavi or Mowlana).
In Persian, Turkic and Urdu poetry, the matla ' (from Arabic مطلع maṭlaʿ; Persian: مطلع; Azerbaijani: mətlə; Turkish: matla; Uzbek: matla; Urdu: مطلع) is the first bayt, or couplet, of a ghazal. [1] [2] In this sense, it is the opposite of the maqta'.
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws. The title of the nazm itself holds the central theme as a whole.
By convention, poets writing ghazals often adopted poetic personas which they then invoked as pen names at the end of their poems, in what are called takhallos. [9] Rumi signed off most of his own ghazals as either Khâmush (Silence) or Shams-i Tabrizi. [10] Although he had belonged to a long tradition of Sufi poetry, Rumi developed his own ...