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Ruth studied music performance at London's Guildhall School of Music to study for a BA in Music Performance. She continued her studies in Dublin, where she received a first-class honours B.A. with a performance of Mendelssohn's Violin Concerto at the National Concert Hall, Dublin.
The tune is played by the solo violin itself before a short codetta ends the exposition section of the opening movement. The opening two themes are then combined in the development section, where the music builds up to the innovative cadenza , which Mendelssohn wrote out in full rather than allowing the soloist to improvise. [ 6 ]
The Double Concerto consists of three movements played without a break. The first movement, a Scherzo, opens with an ostinato rhythm played by cello and double bass, to which a first theme is added by clarinets, bassoons and violas. A fugue is then begun as the first violin soloist, the second soloist, viola and cello enter one by one.
The first movement is characterized by a series of light, pulsing chords that reappear periodically throughout the movement, with slight variations with each recurrence. The solo violin enters early in the movement playing fairly rapid arpeggios that gradually extend to encompass the full range of the instrument.
St Paul's Suite in C major (Op. 29, No. 2), originally titled simply Suite in C, [1] is a popular work for string orchestra by the English composer Gustav Holst.Finished in 1913, but not published until 1922 due to revisions, it takes its name from St Paul's Girls' School in Hammersmith, London.
Eugene Park was born in New York, to Korean parents who were both doctors.Park began to play the violin at age three, entered the Juilliard Pre-College at age eight, and appeared at the Lincoln Center at age 13. [1]
Jean-Baptiste Accolay (French pronunciation: [ʒɑ̃ batist akɔlɛ]; 17 April 1833 – 19 August 1900) [1] was a Belgian violin teacher, violinist, conductor, and composer of the romantic period. His best-known composition is his one-movement student concerto in A minor. It was written in 1868, originally for violin and orchestra.
The Concerto Grosso liberally quotes the theme from the first movement of George Frideric Handel's Violin sonata in D major (HWV 371).In the score program note, Zwilich wrote, "I performed the work many years ago and I especially love the opening theme of the first movement—the striking head motive and the beauty of the generative tension between the theme and the elegant bass line."