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"Hoist with his own petard" is a phrase from a speech in William Shakespeare's play Hamlet that has become proverbial. The phrase's meaning is that a bomb-maker is blown ("hoist", the past tense of "hoise") off the ground by his own bomb (" petard "), and indicates an ironic reversal or poetic justice.
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
Hamlet: Prince Hamlet is the central character of Hamlet. He is a prince of Denmark, called on to avenge his father's (Old Hamlet's) murder by Claudius. Old Hamlet is the father of the protagonist in Hamlet. His ghost appears to exhort Hamlet to revenge Old Hamlet's murder by Claudius. Harcourt is a messenger to the king in Henry IV, Part 2.
T. J. B. Spencer (ed.) New Penguin Shakespeare "Hamlet" Peter Ure (ed.) The Arden Shakespeare (2nd series) "King Richard II" Virginia Mason Vaughan and Alden T. Vaughan (eds.) The Arden Shakespeare (3rd series) "The Tempest" Stanley Wells (ed.) Penguin Shakespeare "The Comedy of Errors" Stanley Wells (ed.) New Penguin Shakespeare "A Midsummer ...
Sir John Falstaff is a fictional character who appears in three plays by William Shakespeare and is eulogised in a fourth. His significance as a fully developed character is primarily formed in the plays Henry IV, Part 1 and Part 2, where he is a companion to Prince Hal, the future King Henry V of England.
The character Claudius is both the major antagonist of the piece and a complex individual. He is the villain of the piece, as he admits to himself: "O, my offence is rank it smells to heaven" (Act III, Scene 3, Line 40), yet his remarkable self-awareness and remorse complicates Claudius's villain status, much like Macbeth.
As agents of the corruption infecting the court, Rosencrantz and Guildenstern contribute to setting up the confrontation between Hamlet and Claudius. [1] Shakespeare expects the audience to appreciate the poetic justice of their deaths: [1] while they are very likely ignorant of the deadly contents of the letter they carry to England and are ...
The first page of The Famous Hiſtory of the Life of King Henry Eight, printed in the Second Folio of 1632. The Famous History of the Life of King Henry the Eighth, often shortened to Henry VIII, is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. [1]