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Jun Kaneko (金子 潤, Kaneko Jun, born 1942) is a Japanese-born American ceramic artist known for creating large scale ceramic sculpture. [2] Based out of a studio warehouse in Omaha, Nebraska , Kaneko primarily works in clay to explore the effects of repeated abstract surface motifs by using ceramic glaze .
Toshiko Takaezu (June 17, 1922 – March 9, 2011) [1] was an American ceramic artist, painter, sculptor, and educator whose oeuvre spanned a wide range of mediums, including ceramics, weavings, bronzes, and paintings. She is noted for her pioneering work in ceramics and has played an important role in the international revival of interest in ...
She is sansei (third-generation) Japanese-American, and a professor at Otis College of Art and Design in Los Angeles, California. [2] Takayama-Ogawa's heritage since the 15th century of Japanese ceramic art influences her work, that usually explores beauty, decoration, ornamentation and narrative while also introducing a dialogue that rejects ...
This is a list of Japanese artists. This list is intended to encompass Japanese who are primarily fine artists. This list is intended to encompass Japanese who are primarily fine artists. For information on those who work primarily in film, television, advertising, manga, anime, video games, or performance arts, please see the relevant ...
His work is in the collection of the Carnegie Museum of Art, [11] the Los Angeles County Museum of Art, [12] the Museum of Arts and Design, [13] the Nelson-Atkins Museum of Art, [14] the Victoria and Albert Museum, [15] His work, Alice with Rose, was acquired by the Smithsonian American Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.
A studio potter is one who is a modern artist or artisan, who either works alone or in a small group, producing unique items of pottery in small quantities, typically with all stages of manufacture carried out by themselves. [1] Studio pottery includes functional wares such as tableware, cookware and non-functional wares such as sculpture ...
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From 1978 to 1981, Marsh studied as an apprentice under Japanese potter Tatsuzō Shimaoka, in Mashiko, Japan. Marsh worked with Shimaoka's shokunin, or craftsmen, on a daily basis and was influenced by the traditional culture of the community, [ 2 ] which differed from Marsh's experience of art-making in the United States.