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The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest).
Their product line eventually included vibraphones, xylophones, conga drums and many stands and fittings. After the company closed, the Trixon brand has had two revivals, the first in 1997 (which lasted a short time after all the inventory was destroyed by fire) and the second in 2007, which has remained to present days.
The bocuses play simple interlocking parts with few variations (however, the sum of the parts results in quite a complex drum melody). A smaller bocú, called a quinto or bocusito, plays complex off-beat figures and improvisations. According to Ortiz, the bocú was adopted by the conga when African drums were banned in the early years of the ...
The conga line is a novelty line dance that was derived from the Cuban carnival dance of the same name and became popular in the US in the 1930s and 1950s. In order to perform the dance, dancers form a long, processing line, which would usually turn into a circle .
This reflects it origin, since the bongó del monte evolved from pairs of bokús, a larger drum from eastern Cuba similar to the conga. [7] Bongos can also be played on a stand, as is the case with concert orchestras and bands. In classical music performances, bongos are usually struck with mallets or drumsticks.
Drum mounts are fittings, normally attached to the drum shell, that enable a drum to be attached to a supporting bracket, stand or rack. Traditionally, smaller tom-tom drums are supported by mounts and known as hanging toms, while snare drums rest on a stand not attached to the drum, and floor toms and bass drums rest on their own legs. [4]
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