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A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...
White ground provides the greatest freedom of choice for colors, while colored grounds reduce the color range and force the use of more opaque paint application. [1] For paintings on panels, gesso is typically used as a ground; on canvas the ground can be yet another (inert) paint layer.
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
A traditional ground may be prepared with a rabbit skin glue solution pigmented with bone ash, chalk and/or lead white. Contemporary grounds include acrylic gesso, gouache and commercially prepared claycoat papers. The slight tooth of the ground preparation takes a little of the silver as it is drawn across the surface.
In reference to work on picture frames and paintings moulded and gilded gesso is still commonly described as pastiglia, [3] but in recent decades writers on furniture and the decorative arts tend to distinguish between this and "true" pastiglia, or white lead pastiglia [4] which is defined as being made from white lead powder, made by combining powdered lead and vinegar in an anaerobic ...
The inscription runs down the left side of the reverse of the painting, rather than across it. The image on the panel is painted using a mixture of egg and oil as a medium over a ground of white gesso which is visible in damaged areas and on parts of the back of the panel. The surface of the paint has cracked down the main joint, and separated ...
He did a body of black and white in the early 70s – using only black acrylic on a white gesso ground – a compositional motive emerged as be reduced a complicated image to its essence. The painted areas became the negative space while the original white ground became bold jagged lines piercing the blackness award for one of these paintings ...
Gesso work was the hallmark of all traditional paintings of Karnataka. Gesso refers to the paste mixture of white lead powder, gambose and glue which is used as an embossing material and covered with gold foil. The gesso work in Mysore paintings is low in relief and intricate as compared to the thick gold relief work of the Tanjore School.