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Harmonious and powerful colours [4] and the soft-brushed, multi-layered style of English portraitists, Sir Joshua Reynolds and Thomas Gainsborough, [5] are typical for Kauffman's paintings. Christ and the Samaritan Woman at the Well (1795), oil on canvas, 123.5 x 158.5 cm., Neue Pinakothek, Munich. Kauffman was born at Chur in Graubünden ...
Zeuxis Choosing Models for his Painting of Helen of Troy: 1778 (conjectural date) oil on canvas: Providence, Brown University: Utpictura18: Allegory: Colour from a series of four paintings representing the Elements of Art: 1778–1780: oil on canvas: Royal Academy, London: Académie: Portrait: William Heberden as a Boy (1767–1845) 1779: oil ...
On the other, Angelica Kauffman’s Invention (1778) depicts a woman in classical garb with wings sprouting from her head, embodying a quality then seen as the province of men. Women were expected ...
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
The Angelika Kauffmann Museum is a museum in Schwarzenberg, Vorarlberg (Austria) dedicated to the life and works of the Swiss painter Angelica Kauffman. Although born in Chur in Switzerland, Angelica Kauffman had close ties to her father's home village of Schwarzenberg. Together, they worked for the local bishop, creating apostle frescoes and ...
Sappho Inspired by Love is an oil painting on canvas of 1775 by Angelica Kauffman, now in the John and Mable Ringling Museum of Art in Florida, having been in John Ringling's collection.
Roworth is a specialist in eighteenth century British and Italian art and the art of Angelica Kauffman. Roworth curated the exhibition "Angelica Kauffman: A continental artist in Georgian England" which was held at the Royal Pavilion Art Gallery & Museums, Brighton in 1992 and also in York. She edited the accompanying book.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1807, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .