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1960-02-01 1960-03-29 Them Dirty Blues: Riverside 1960 1960-05-21 1960-06-05 Cannonball Adderley and the Poll-Winners – with Wes Montgomery: Riverside 1960 1960-10-16 The Cannonball Adderley Quintet at the Lighthouse: Riverside 1960 Live 1961-01-27 1960-02-21 1961-03-13 Know What I Mean? – with Bill Evans: Riverside 1961 1961-02-28 1961-05 ...
The AllMusic review by Al Campbell awarded the album 4 stars, stating: "Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions." [2] The Penguin Guide to Jazz awarded the album 3⅓ stars, noting: "Them Dirty Blues debuts Nat's 'Work Song' in the band's book, as well as Bobby Timmons's 'Dat Dere'."
Later in 1975, he was inducted into the DownBeat Jazz Hall of Fame. [6] [19] Joe Zawinul's composition "Cannon Ball" on Weather Report's Black Market album is a tribute to his former leader. [6] Pepper Adams and George Mraz dedicated the composition "Julian" on the 1975 Pepper Adams album of the same name days after Cannonball's death. [20]
The Incredible Jazz Guitar; Movin' Along; Oliver Nelson: Taking Care of Business; David Newman & James Clay: The Sound of the Wide Open Spaces!!!! Art Pepper: Gettin' Together; Max Roach: We Insist! Charlie Rouse: Takin' Care of Business; George Russell. George Russell Sextet at the Five Spot; Jazz in the Space Age; Stratusphunk
Work Song is an album by jazz cornetist Nat Adderley, recorded in January 1960 and released on the Riverside label. It features Adderley with Bobby Timmons, Wes Montgomery, Sam Jones, Percy Heath, Keter Betts and Louis Hayes in various combinations from a trio to a sextet, with the unusual sound of pizzicato cello to the fore on some tracks.
The Penguin Guide to Jazz awarded the album 3½ stars stating "The Poll Winners session was a typical all-star meeting of the day, and if it seemed artificial at the time, how good it is to be able to hear, nearly 50 years on, Adderley, Montgomery and Brown in the same band. If there's nothing which could be called surprising, the opportunity ...
The Penguin Guide to Jazz awarded the album 4 stars, stating: "At the Lighthouse, which marked Vic Feldman's arrival in the group, is a near-classic, opening on the immortal version of 'Sack O' Woe' and steaming through a vintage Adderley set in front of a cheering and fingersnapping crowd".
The song was first recorded by Bobby Timmons in his debut album This Here Is Bobby Timmons (January 1960), and shortly thereafter by the Cannonball Adderley Quintet on the album Them Dirty Blues (February 1960) and by Art Blakey and the Jazz Messengers on the album The Big Beat (March 1960), with Timmons as pianist on both recordings.