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Thomas A. Dorsey was born in Villa Rica, Georgia, the first of three children to Thomas Madison Dorsey, a minister and farmer, and Etta Plant Spencer.The Dorseys sharecropped on a small farm, while the elder Dorsey, a graduate of Atlanta Bible College (now Morehouse College), traveled to nearby churches to preach.
Say Amen, Somebody gives an overview of the history of gospel music in the U.S. by following two main figures: Thomas A. Dorsey, considered the "Father of Gospel Music," 83 at the time of filming, recalls how he came to write his most famous song, "Take My Hand, Precious Lord" (1932), and the difficulty he faced introducing gospel blues to black churches in the early 1930s.
Ernie Haase; Damita Haddon; Deitrick Haddon; Brother Will Hairston; Danniebelle Hall; James Hall; Marshall Hall; MC Hammer song on every album including: Family Affair; Fred Hammond; Wes Hampton
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
Tommy Dorsey (1905–1956), bandleader and jazz trombone player; Thomas A. Dorsey (1899–1993), gospel composer and performer, known as Georgia Tom in his earlier jazz career; Thomas Beale Dorsey (1780–1855), American politician and judge in Maryland; Dan Hornsby (1927-1939), recording artist who briefly used the pseudonym Tom Dorsey
Labeled "one of the most important gospel singers of the century" by The New York Times, Smith is considered a pioneer in the same vein as Thomas A. Dorsey, the "Father of Gospel Music". [15] While Dorsey wrote 1,000 gospel songs and set standards for gospel choirs, Smith created the "openly emotional and spiritually exuberant performance style ...
Thomas Andrew Dorsey (July 1, 1899, Villa Rica, Georgia - January 23, 1993, Chicago), is known as "the father of gospel music". Earlier in his life he was a leading blues pianist known as Georgia Tom. As formulated by Dorsey, gospel music combines Christian praise with the rhythms of jazz and the blues.
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...