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The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. [1] Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. [2]
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Building restoration describes a particular treatment approach and philosophy within the field of architectural conservation and historic preservation. It emphasizes the preservation of structures such as historic sites, houses, monuments, and other significant properties through careful maintenance and upkeep.
Conservation and restoration of Pompeian frescoes; Conservation and restoration at the Smithsonian Institution; Conservation and restoration of ancient Greek pottery; Conservation and restoration of archaeological sites; Conservation and restoration of bone, horn, and antler objects; Conservation and restoration of books, manuscripts, documents ...
Temple of Athena Nike. The conservation and restoration of archaeological sites is the collaborative effort between archaeologists, conservators, and visitors to preserve an archaeological site, and if deemed appropriate, to restore it to its previous state.
Conservation: keeping the original film artifact protected [32] Duplication: creation of a surrogate copy [32] Restoration: reconstruction of a specific version of a film. Including the piecing together of footage from all known sources. [32] Access: presenting the film to the public and the procedures necessary to present the content [32]
[22] Laurenson is currently head of the UK's first conservation programme dedicated to contemporary art and media, based at UCL East. [23] Jill Sterret of the San Francisco Museum of Modern Art. Director of Collections & Conservation at SFMOMA, Sterret is an avid collector and preserver of artworks made by contemporary artists.
Institute of Conservation; Instituto Universitario de Restauración del Patrimonio of the Universitat Politècnica de València; Intermuseum Conservation Association; International Centre for the Study of the Preservation and Restoration of Cultural Property; International Council of Museums; International Council on Monuments and Sites