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Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
Pages in category "Writers of Gothic fiction" The following 156 pages are in this category, out of 156 total. This list may not reflect recent changes. A.
From that day on, everyone she knew addressed her as "Anne", [21] [22] and her name was legally changed in 1947. [1] Rice was confirmed in the Catholic Church when she was twelve years old and took the full name Howard Allen Frances Alphonsus Liguori O'Brien, [clarification needed] adding the names of a saint and of an aunt, who was a nun. She ...
Radcliffe was born Ann Ward in Holborn, London on 9 July 1764. [4] She was the only child of William Ward (1737–1798) and Ann Oates (1726–1800). [5] Biographies of Radcliffe typically emphasize her illustrious distant relatives over her close relatives, who were in trade, as part of cultivating a genteel and ladylike reputation for her. [6]
Many were published under the Paperback Library Gothic imprint and marketed to female readers. While the authors were mostly women, some men wrote Gothic romances under female pseudonyms: the prolific Clarissa Ross and Marilyn Ross were pseudonyms of the male Dan Ross; Frank Belknap Long published Gothics under his wife's name, Lyda Belknap ...
B. The Baby in the Basket; La bambola di Satana; Baron Blood (film) Beloved (1998 film) The Black Cat (1934 film) Black Death (film) Black Magic Rites; Black Sabbath (film)
List of female detective/mystery writers; List of female poets; List of female rhetoricians; List of feminist literature; List of women anthologists; List of women cookbook writers; List of women electronic writers; List of women hymn writers; List of women sportswriters; Lists of women writers by nationality; Mothers of the Novel: 100 Good ...
Laurence Olivier and Joan Fontaine in Rebecca (1940). The Gothic romance film is a Gothic film with feminine appeal. Diane Waldman wrote in Cinema Journal that Gothic films in general "permitted the articulation of feminine fear, anger, and distrust of the patriarchal order" and that such films during World War II and afterward "place an unusual emphasis on the affirmation of feminine ...