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The Era said, "If Lady Windermere's Fan showed us Mr Oscar Wilde as a playwright at his best, A Woman of No Importance exhibits all the vices of his method with irritating clearness". [26] The Pall Mall Gazette complained of "much want of originality in matter, and some want of originality in manner", but thought it "a play with many strong ...
Oscar Fingal O'Fflahertie Wills Wilde [a] (16 October 1854 – 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular and influential playwrights in London in the early 1890s. [3]
Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first performed on Saturday, 20 February 1892, at the St James's Theatre in London. [ 1 ] The story concerns Lady Windermere, who suspects that her husband is having an affair with another woman; she confronts him with it.
The title-page of the first edition of The Sphinx, with decorations by Charles Ricketts. The Sphinx is a 174-line poem by Oscar Wilde, written from the point of view of a young man who questions the Sphinx in lurid detail on the history of her sexual adventures, before finally renouncing her attractions and turning to his crucifix.
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
The Picture of Dorian Gray is a philosophical fiction and gothic horror novel by Irish writer Oscar Wilde.A shorter novella-length version was published in the July 1890 issue of the American periodical Lippincott's Monthly Magazine.
The love that dare not speak its name is a phrase from the last line of the poem "Two Loves" by Lord Alfred Douglas, written in September 1892 and published in the Oxford magazine The Chameleon in December 1894. It was mentioned at Oscar Wilde's gross indecency trial and is usually interpreted as a euphemism for homosexuality. [1]
The dandy creates his own unity by aesthetic means. But it is an aesthetic of negation. To live and die before a mirror: that, according to Baudelaire, was the dandy's slogan. It is indeed a coherent slogan. The dandy is, by occupation, always in opposition [to society]. He can only exist by defiance …