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The Zwirner Gallery opened in 1993 on the ground floor of 43 Greene Street in SoHo in New York City [2] with a one-man show of the Austrian sculptor Franz West. [3] [4]In 2002 it moved to 525 West 19th Street in the Chelsea neighborhood of New York. [5]
Zwirner planned to open a new gallery in 2021 on West 21st Street in New York City and would be the first commercial gallery space to be designed by architect Renzo Piano. [needs update] [11] [12] [13] [4] David Zwirner decided not to move forward with this project in 2024. [14] [15]
Shortly after the completion of his graduate degree in 1993, Rhoades had his first solo exhibition at David Zwirner Gallery in New York City, New York. [7] The following year in 1994, he had his first West Coast solo exhibition at Rosamund Felsen Gallery in Santa Monica, California. [7] From the mid-to-late 1990s Rhoades started to enjoy major ...
It is not uncommon for for-profit colleges to have high rates of student loan default, which prompted a New York City Department of Consumer Affairs investigation in 2015. [7] On December 31, 2012, TCI was brought under the corporate control of EVCI Career Colleges Holding Corporation. [8]
In 2000, at an exhibition at David Zwirner Gallery, in New York, Williams showed twenty photographs including a series of pictures of a 1964 Renault automobile on its side. Writing in The New York Times , Ken Johnson said, "the Renault was made in a French factory where significant revolutionary activities took place in 1968; hence it is tipped ...
Eric Adams, 110th Mayor of New York City (2022–present); 18th Borough President of Brooklyn (2014–2021) [9] Hiroaki Aoki (Restaurant Management, 1963), Olympic wrestler and founder of the Benihana chain of restaurants; Charles Barron, New York City Council member representing the 42nd District of New York City; former Black Panther
Wolfson's Colored Sculpture (2016) was first shown at David Zwirner gallery in New York City and later exhibited at the Tate Modern in London, LUMA Foundation in Arles, and at the Stedelijk Museum, Amsterdam. The work consists of an animatronic sculptural figure of a boy attached to the ceiling with long chains connected to his head, arm, and leg.
In the first of four shows at David Zwirner, Icarus and the World Trade Center (1998), Schimert turned from the cooler, ethereal environs of the sea and Moon to the explosive, searing heat from the Sun, treated as a metaphor for the New York-defined arena of ambition, success and wealth.