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Inca textiles. Awasaka was the most common grade of weaving produced by the Incas of all the ancient Peruvian textiles, this was the grade most commonly used in the production of Inca clothing. Awaska was made from llama or alpaca wool and had a high thread count (approximately 120 threads per inch).
Environmental controls are used to monitor and control temperature, humidity and light exposure of storage areas. As with all textiles, cool, clean, dry and dark environments are most suitable. The heating, ventilating and air conditioning, or HVAC systems, of buildings that house quipu knot records are usually automatically regulated. Relative ...
The belief system of the Incas was polytheistic. Inca perceived the cosmos as a sacred order governed by the harmonious interplay of the sun, moon, and stars. [27] Gender ideologies were constructed within this cosmic framework, shedding light on the intersection of spiritual beliefs, social hierarchies, and gender roles in Inca society. [28]
The name Chachapoya was given to this culture by the Inca; the name that these people may have actually used to refer to themselves is not known. The meaning of the word Chachapoya may be derived from the Quechua sach'a phuyu (sach'a = tree, [1] phuyu = cloud [2]) meaning "cloud forest".
Textiles were also used to communicate wealth, social status, and regional affiliation with others. [5] The cultural emphasis on the textile arts was often based on the believed spiritual and metaphysical qualities of the origins of materials used, as well as cosmological and symbolic messages within the visual appearance of the textiles.
The Inca Empire employed a system of tribute to the Inca government in the form of labor, called Mit'a that required all males between 15-50 to work on large public construction projects. Hyslop comments that the 'secret' to the production of fine Inca masonry “…was the social organization necessary to maintain the great numbers of people ...
Code of the Quipu is a book on the Inca system of recording numbers and other information by means of a quipu, a system of knotted strings.It was written by mathematician Marcia Ascher and anthropologist Robert Ascher, and published as Code of the Quipu: A Study in Media, Mathematics, and Culture by the University of Michigan Press in 1981.
Mantle ("The Paracas Textile"), 100-300 C.E. Cotton, camelid fiber, textile: Brooklyn Museum Detail of one shaman showing knife and head. The Paracas textiles were found at a necropolis in Peru in the 1920s. The necropolis held 420 bodies who had been mummified and wrapped in embroidered textiles of the Paracas culture in 200–300 BCE. [1]