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Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Sophocles [a] (c. 497/496 – winter 406/405 BC) [2] was an ancient Greek tragedian known as one of three from whom at least one play has survived in full. His first plays were written later than, or contemporary with, those of Aeschylus and earlier than, or contemporary with, those of Euripides.
Euripides [a] (c. 480 – c. 406 BC) was a Greek tragedian of classical Athens.Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full.
They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman tragedy. Besides Seneca's works, a single example of fabula praetexta (tragedy based on Roman subjects) survives. [21] [22] [23] [24]
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aristophanes (c. 446–388 BC), a leading source for Greek Old Comedy. The Acharnians (425 BC) The Knights (424 BC) The Clouds (423 BC) The Wasps (422 BC) Peace (421 BC) The Birds (414 BC) Lysistrata (411 BC) Thesmophoriazusae (c. 411 BC) The Frogs (405 BC) Assemblywomen (c. 392 BC) Plutus (388 BC) Pherecrates 420 BC; Diocles of Phlius ...
Aeschylus (UK: / ˈ iː s k ɪ l ə s /, [1] US: / ˈ ɛ s k ɪ l ə s /; [2] Ancient Greek: Αἰσχύλος Aischýlos; c. 525 /524 – c. 456 /455 BC) was an ancient Greek tragedian often described as the father of tragedy.
Apparently, the Greek playwrights never used more than three actors based on what is known about Greek theatre. [ 10 ] Tragedy and comedy were viewed as completely separate genres, and no plays ever merged aspects of the two.