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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
Concurso de Cante Jondo – (Contest of the Deep Song) was a fiesta of flamenco arts, music, song, and dance, held in Granada in 1922; Festival Bienal Flamenco – in theatres Seville, this festival features flamenco puro to innovative new works by dancers, vocalists and guitarists; Flamenco rumba – a style of flamenco music
This page was last edited on 6 November 2024, at 22:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
"Entre dos Aguas" is an instrumental flamenco rumba created by the Spanish guitarist Paco de Lucía, included as the first single on the album Fuente y caudal (1973). [1] It was recorded with two guitars (the second played by his brother Ramón de Algeciras ), with a bass and a bongo played by Pepe Ébano instead of the traditional palmas ...
In the 1970s and 80s, salsa, blues, rumba and other influences were added to flamenco, along with music from India. Ketama's 1988 debut, Ketama, was especially influential. At the beginning of the 1990s, the Madrid label Nuevos Medios became closely associated with the new flamenco fusion music, which came to be called nuevo flamenco.
New flamenco (or nuevo flamenco) or flamenco fusion is a musical genre that was born in Spain, starting in the 1980s. It combines flamenco guitar virtuosity and traditional flamenco music with musical fusion [1] (with genres like jazz, blues, rock, rumba, and years later reggaeton, hip hop, or electronic music).
Willie & Lobo was a musical duo composed of William Robert "Willie" Royal, Jr. [1] (violin) and Wolfgang Hubert "Lobo" Fink [2] (guitar). Their music, characterized as New Flamenco and World Music, is a blend of Gypsy, Latin, Celtic, Flamenco, Middle Eastern, Rock, Jazz, Cuban Swing, Tango and Salsa.
Modern guitarists often play soleá using other chord positions or even changing the tuning of the guitar to experiment with new sounds, especially in solo instrumental pieces. The typical flamenco progression iv, III, II, I (an altered Phrygian cadence) is heard several times during the development of the song.