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Buddhist music retains a prominent place in many Buddhist traditions, and is usually used for ceremonial and devotional purposes. [5] Buddhist music and chanting is often part of Buddhist rituals and festivals in which they may be seen as offerings to the Buddha. [6] Most Buddhist music includes chanting or singing, accompanied by instruments.
According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a ...
Dharma (/ ˈ d ɑːr m ə /; Sanskrit: धर्म, pronounced ⓘ) is a key concept in the Indian religions of Hinduism, Buddhism, Jainism and Sikhism. [7] The term dharma is considered untranslatable into English (or other European languages); it is understood to refer to behaviours which are in harmony with the "order and custom" that sustains life; "virtue", righteousness or "religious ...
Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated primarily through cadences, phrases, and periods. [2] "Form refers to the larger shape of the composition. Form in music is the result of the interaction of the four structural elements," of sound, harmony, melody, and ...
Chant may be considered speech, music, or a heightened form of speech which is more effective in conveying emotion or expressing ones spiritual side. Channelling: The act of attaining information (from a state of being in the present moment) from higher power or spirits and bringing it forth through writing, speaking, teaching or music.
In Tibetan, the term chos sku (ཆོས་སྐུ།, phonetically written as chö-ku) [citation needed] glosses dharmakāya; it is composed of chos "religion, dharma" and sku "body, form, image, bodily form, figure". [citation needed] Thondup & Talbott render it as the "ultimate body". [26]
Some Mahayana sources use the sky as a simile for the Dharmakaya and for emptiness. [5] [6]The Trikāya doctrine sees Buddhahood as composed of three bodies, components or collection of elements (kāya): the Dharma body (the ultimate aspect of Buddhahood), the body of self-enjoyment (a divine and magical aspect) and the manifestation body (a more human and earthly aspect).
The 'Outer' form is the 'Triple Gem' (Sanskrit: triratna), the 'Inner' is the Three Roots and the 'Secret' form is the 'Three Bodies' or trikāya of a Buddha. These are: [1] the Buddha, the fully enlightened one; the Dharma, the teachings expounded by the Buddha; the Saṅgha, the monastic order of Buddhism that practice the Dharma