Search results
Results From The WOW.Com Content Network
Audio Random Access (commonly abbreviated to ARA) is an extension for audio plug-in interfaces, such as AU, VST and RTAS, allowing them to exchange a greater amount of audio information with digital audio workstation (DAW) software. It was developed in a collaboration between Celemony Software and PreSonus.
Harmor is a software synthesizer created by Image-Line Software for the music production program FL Studio.It is available as a demo version within the software; however, it must be purchased separately (or bought in the FL Studio All Plugins Edition bundle) in order to save projects that contain Harmor instances.
FL Studio has been praised for its simplicity, power, and ease of use. [38] [39] Jamie Lendino of PCMag wrote that "While [FL Studio is] still clearly geared for electronic music production 'in the box,' as opposed to recording live musicians playing acoustic instruments, you can record or create just about any kind of audio project with it."
FMOD Studio low-level API - A programmer API that stands alone, with a simple interface for playing sound files, adding special effects and performing 3D sound. Legacy products include: FMOD Ex - The sound playback and mixing engine. FMOD Designer 2010 - An audio designer tool used for authoring complex sound events and music for playback.
Discover the latest breaking news in the U.S. and around the world — politics, weather, entertainment, lifestyle, finance, sports and much more.
Image-Line Software (commonly known as simply Image-Line) is a Belgian software company best known for its digital audio workstation program FL Studio [2] and related audio plugins such as Sytrus [3] and Harmor. [4] Image-Line was founded in 1994. [1] In 2007, Image-Line introduced Deckadance, a virtual DJ console application. [2]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Quadraphonic sound was a commercial failure when first introduced due to a variety of technical issues and format incompatibilities. Four channel audio formats can be more expensive to produce than standard two-channel stereo. Playback requires additional speakers and amplifier channels. It may also require specially designed decoding equipment.