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Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was an American scholar of Chicana feminism, cultural theory, and queer theory.She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza (1987), on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.
Making Face, Making Soul/Haciendo Caras: Creative and Critical Perspectives by Women of Color, edited by Glora Anzaldua (1990) this bridge we call home: radical visions for transformation, edited by Gloria Anzaldua and AnaLouise Keating (2002) Feminism in Coalition: Thinking with US Women of Color Feminism, by Liza Taylor (2022) Transformation ...
Born in the Rio Grande Valley of South Texas on September 26, 1942, [11] Gloria Anzaldúa grew up on a ranch where her parents worked as farmers. [1] In an interview with Professor of Literature Ann E. Reuman, Anzaldúa expresses that her ethnic background and childhood experiences in a southern Texas farming culture both heavily influenced her work in Borderlands.
The interest in black feminism was on the rise in the 1970s, through the writings of Mary Helen Washington, Audre Lorde, Alice Walker, and others. [3]: 87 In 1981, the anthology This Bridge Called My Back, edited by Cherríe Moraga and Gloria E. Anzaldúa, was published and But Some of Us Are Brave was published the following year.
Gloria E. Anzaldúa in 1990. Gloria Anzaldúa (1942–2004) was a prolific Chicana writer of prose, fiction, and poetry. [1] After moving from her native Texas to California in 1977, she exclusively focused on her writing, [2] publishing dozens of pieces of writing before her death. [3] She left behind several manuscripts in progress when she ...
Title of Gloria Anzaldúa's speech. Speaking in Tongues: A Letter to 3rd World Women Writers is a letter written by Gloria E. Anzaldúa.The letter was drafted in 1979 and was published in Anzaldúa’s feminist anthology This Bridge Called My Back: Writings by Radical Women of Color (1981). [1]
The essay explores Anzaldúa's identity as a white/mestiza Tejana from a formerly affluent, sixth-generation Texan family. She explores the racism, colorism, sexism, heteronormativity, and classism of her parents and grandparents, who scorned her for being too dark-skinned and who identified with whiteness and Americanness rather than with Mexican, Indigenous, and Black people.
Many of them got wet while crossing the river, so some people on this side who didn't like them called them 'wetbacks' or 'mojados.' This is the story of Prietita, a brave young Mexican American girl, and her new friend Joaquin, a Mexican boy from the other side of the river." -Gloria Anzaldúa [3]