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Sea Blue EQ; EQ in pedal form, designed to match the piezo-acoustic guitars and work as a booster addressing frequency bands with treble and bass controls that you don't find on your amp. As a result the pedal allows you to further EQ beyond what your amp provides, while not fighting its own EQ.
A lot of guitarists lean on the yellow Diamond Comp/EQ pedal or the Keeley Compressor+ (including myself until the UA 1176 released in pedal form), while others like the simplicity, tiny footprint ...
Equalizer effects: Boss GE-7 Equalizer, MXR 10-band EQ Pedal. Peter Frampton's Talk box. Talk box: A talk box directs the sound from an electric guitar or synthesizer into the mouth of a performer using a tube, allowing the sound to be shaped into vowels and consonants with movements of the mouth. The modified sound is then picked up by a ...
A guitar pedal board, comprising several EHX pedals, including a Big Muff, POG (polyphonic octave generator), a Stereo Pulsar tremolo and a Tube EQ. Electro-Harmonix (also commonly referred to as EHX [1]) is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike ...
The Acoustic Guitar Pedal was released in 1994, designed for clean guitar work. It is basically a compressor with bass and treble controls. It is intended to make an electric guitar sound more like an acoustic guitar. The Acoustic Guitar Pedal was produced by SR&D and Dunlop. The SR&D version can be identified by its grey button.
The Metal Zone (MT-2) was released in 1991. In 1992 Boss released nine new pedals, including the Turbo Distortion (DS-2). The Heavy Metal (HM-2) distortion pedal was an integral part of the guitar sound of many styles of heavy metal music ever since. [6] The pedals all share the same 'footprint', for compatibility with pedal boards.