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The practice of using solo voices on each musical line or part in choral music. ordinario (ord.) (Ital.) or position ordinaire (Fr.) In bowed string music, an indication to discontinue extended techniques such as sul ponticello, sul tasto or col legno, and return to normal playing. The same as "naturale". organ trio
For example, intensional definitions list aspects or elements that make up their subject. Some definitions refer to music as a score, or a composition: [ 18 ] [ 7 ] [ 19 ] music can be read as well as heard, and a piece of music written but never played is a piece of music notwithstanding.
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Other times, "part" is used to refer in a more general sense to any identifiable section of the piece. This is for example the case in the widely used ternary form, usually schematized as A–B–A. In this form the first and third parts (A) are musically identical, or very nearly so, while the second part (B) in some way provides a contrast ...
All the other notes fall into place. For example, when C is the tonic, the fourth degree or subdominant is F. When D is the tonic, the fourth degree is G. While the note names remain constant, they may refer to different scale degrees, implying different intervals with respect to the tonic.
This is your brain on music. New York: Plume. —Recording engineer turned music psychologist Daniel Levitin talks about the psychology of music in an up tempo, informal, and personal way. Examples drawn from rock and related genres and the limited use of technical terms are two features of the book that make the book appealing to a wide audience.