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"Cry" is a song released by the English music duo Godley & Creme on 11 March 1985. It was included on the duo's album The History Mix Volume 1. The song reached number 16 on the Billboard Hot 100 chart, becoming Godley & Creme's lone top 40 hit in the US apart from their former band, 10cc. It reached No. 19 on the UK Singles Chart.
(pictured) had four songs on the Year-End Hot 100, including the year's biggest hit, Careless Whisper. Madonna (pictured) had five songs on the Year-End Hot 100, the most of any artist in 1985. This is a list of Billboard magazine's Top Hot 100 singles of 1985. [1]
Atonement (2007). Based on a book of the same named by English novelist Ian McEwan, the film opens as a romance between Cecilia Tallis, played by Keira Knightley, and Robbie Turner, portrayed by ...
Churchill Kohlman (January 28, 1906 – May 25, 1983) was an American songwriter who wrote Johnnie Ray's 1951 hit, "Cry" while working in a Pittsburgh dry cleaning factory as the night watchman. [1] [2] Royalties from "Cry" were the subject of a bitter legal dispute between Kohlman and Perry Alexander, owner of music publisher Mellow Music.
Sad songs say so much, as Elton John once opined. But sad movies, well, they can totally wreck you for days.Weeks. Years. Sad movies can make you cry, they can make you emotional, and it doesn't ...
"Cry" was recorded by American singer Michael Jackson for his tenth and final studio album, Invincible (2001). The song was written by R&B singer-songwriter R. Kelly, who had previously worked with Jackson on his 1995 single, "You Are Not Alone"; Jackson and Kelly's collaboration on "Cry" is the second of what would be three collaborations.
Film Music (1985) is an album originally released on vinyl by the American trumpeter and synthesizer player, Mark Isham. It consists of extended tracks from the soundtracks of three films. The first track is from the soundtrack of the film Mrs. Soffel (1984). The second track is from the documentary The Times of Harvey Milk.
Released 18 March 1985, Birdy reached number 51 on the UK Albums Chart and number 162 on the US Billboard 200.The commercial performance exemplified Gabriel's strong cult following, according to biographer Daryl Easlea (2018), adding that the chart peaks are "still pretty impressive for what is essentially an album of sound collages."