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Bainbridge Bunting (November 23, 1913 – February 13, 1981) was an American architectural historian, teacher, and author. [2] Bunting was born November 23, 1913, in Kansas City, Missouri. He graduated from the University of Illinois and later received his Ph.D. from Harvard University. [3]
Gladius, an early ancient Roman thrusting shortsword for legionaries [36] Xiphos, a double-edged, single-hand blade used by the ancient Greeks; Certain Renaissance-era sidearms: Baselard, a late medieval heavy dagger; Cinquedea, a civilian long dagger; Dirk, the Scottish long dagger (biodag); Hanger or wood-knife, a type of hunting sword or ...
Modern reconstruction of a Greek xiphos and scabbard. Actaeon holding a xiphos. Painted vase from Metaponto, c. 390–380 BC. The xiphos (Ancient Greek: ξίφος; plural xiphe, Ancient Greek: ξίφη [ksípʰɛː]) [1] is a double-edged, one-handed Iron Age straight shortsword used by the ancient Greeks.
The text contains a note explaining that the word means "little sparrows" in a north-east dialect. [4] The poem itself has a five-part structure. The first part has a regular structure of 12 stanzas each containing 13 lines. In the following four parts the stanzas vary in length from couplets to quatrains to stanzas of more than 20 lines.
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The style may be associated with Canadian architecture because these grand hotels are prominent landmarks in major cities across the country and in certain national parks. In Hungary, Arthur Meinig built numerous country houses in the Loire Valley style, the earliest being Andrássy Castle in Tiszadob , 1885–1890, and the grandest being ...
Developed in the 1920s, Le Corbusier's 'Five Points of Modern Architecture' (French: Cinq points de l'architecture moderne) are a set of architectural ideologies and classifications that are rationalized across five core components: [3] Pilotis – a grid of slim reinforced concrete pylons that assume the structural weight of a building. They ...
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...