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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
A group of Black and Tans and Auxiliaries outside the London and North Western Hotel in Dublin following an IRA attack, April 1921 "Come Out, Ye Black and Tans" is an Irish rebel song, written by Dominic Behan, which criticises and satirises pro-British Irishmen and the actions of the British army in its colonial wars.
"Cotton Tail" is a 1940 composition by Duke Ellington. [1] It is based on the rhythm changes from George Gershwin's "I Got Rhythm".The first Ellington recording (4 May 1940) [2] [3] is notable for the driving tenor saxophone solo by Ben Webster.
The first, short set began at 8:30 and included "The Star-Spangled Banner", "Black and Tan Fantasy" and "Tea for Two". This set was played without a few of the band's members as they were unable to be found at the start of the show. After performances by the other groups, the remainder of the band was located and the real performance began.
His music has been performed and broadcast by major orchestras, chamber ensembles, and festivals throughout North and South America, Europe and Japan. Tsontakis was honored with the "Academy Award" in 1995 from the American Academy of Arts and Letters and was the fourth recipient of the coveted Ives Living Fellowship, in 2007.
"Black and Tan Fantasy" is a 1927 jazz composition by Duke Ellington and Bubber Miley. The song was recorded several times by Ellington and his Cotton Club band in 1927 for the Brunswick , Victor , and Okeh record labels.
Given their own radio show in 1950, the George Mitchell Glee Club, George and his singers continued to perform in hundreds of radio and stage shows and appeared in several films. [4] They also had several hit records. In 1957, the George Mitchell Minstrels first appeared at the annual Earl's Court Radio Show, a programme which was televised.