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The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
The U-20 has given certain Roland-sounds more publicity, like the shakuhachi, the bell, guitar-samples with distortion, and the typical Roland piano-sound, which can be found in later Roland models like the JV and XV series. Editing sounds is limited and relatively complicated due to the small screen and menu layout.
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
Ableton Live co-creator Robert Henke. Live was created by Gerhard Behles, Robert Henke and Bernd Roggendorf in the mid-1990s. [6] Behles and Henke met while studying programming at Technische Universität Berlin, and wrote software in the music programming language Max to perform techno as their band Monolake.
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
A Dolby Digital Penthouse Soundhead mounted on a mid-1950s vintage Kalee model 20 projector A photo of a 35 mm film print featuring all four audio formats (or quad track) - from left to right: Sony Dynamic Digital Sound (SDDS) (blue area to the left of the sprocket holes), Dolby Digital (grey area between the sprocket holes labelled with the ...
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A line bundle is semi-ample if some positive power of it is basepoint-free; semi-ampleness is a kind of "nonnegativity". More strongly, a line bundle on a complete variety X {\displaystyle X} is very ample if it has enough sections to give a closed immersion (or "embedding") of X {\displaystyle X} into a projective space.