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A different version of this song is featured on the second disc of the remastered 2CD deluxe edition of Led Zeppelin IV.Known as "Going to California (Mandolin/Guitar Mix)", it is an instrumental recorded on 29 January 1971, with the Rolling Stones Mobile Studio at Headley Grange with engineer Andy Johns.
Clockwise, from top left: Jimmy Page, John Bonham, Robert Plant, John Paul Jones Led Zeppelin were an English rock band who recorded 94 songs between 1968 and 1980. The band pioneered the concept of album-oriented rock and often refused to release popular songs as singles, [1] instead viewing their albums as indivisible, complete listening experiences, and disliked record labels re-editing ...
In 1974, the band set up their own vanity label, Swan Song Records, which would release the rest of Led Zeppelin's studio albums. The first was the 1975 double album Physical Graffiti , which has received a 16 times platinum certification from RIAA.
In 1975, Led Zeppelin's double album Physical Graffiti was their first release on the Swan Song label. It consisted of fifteen songs, of which eight had been recorded at Headley Grange in 1974 and seven had been recorded earlier.
Robert Plant (left) and Jimmy Page performing with Led Zeppelin, at Earl's Court, London, May 1975. The band were initially booked to play three nights at the venue, from 23rd to 25th May, but due ...
Led Zeppelin live at Chicago Stadium, January 1975. The 1975 North American tour took place nearly 18 months after the conclusion of their previous concert tour, which was the longest break between concerts yet taken by the band. As a result, some critics have suggested that the band seemed sluggish and rusty upon their return to the stage ...
Chris Robinson of The Black Crowes performs a Led Zeppelin song with Chad Smith on drums and Robert Trujillo of Metallica on bass at Clive Davis' Pre-Grammy Gala at the Beverly Hilton hotel in ...
When Led Zeppelin undertook the series of five shows at London's Earl's Court Arena on May of 1975 they were at the very peak of their creative powers. Spurred on by the critical and commercial success of their sixth album, the double set Physical Graffiti , each show they played took on event-like proportions.