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"Stuck Inside of Mobile with the Memphis Blues Again" was written by Dylan, [5] who sang and played harmonica on the song, with Kooper on organ, and members of the A-Team of studio musicians that had been engaged for the album sessions: Charlie McCoy, Wayne Moss and Joe South (guitars), Hargus Robbins (piano), Henry Strzelecki (electric bass ...
"Memphis Blues", Victor Military Band, July 15, 1914. It was not until Victor Recording Company's house band (Victor Military Band, Victor 17619, July 15, 1914) and Columbia's house band (Prince's Band, Columbia A-5591, July 24) recorded the song in 1914 that "The Memphis Blues" began to do well. [13] The original begins in the key of E-flat major.
The Memphis Blues" sheet music cover, 1913. In 1909 Handy and his band moved to Memphis, Tennessee, where they played in clubs on Beale Street. "The Memphis Blues" was a campaign song written for Edward Crump, the successful Democratic Memphis mayoral candidate in the 1909 election [19] and political boss.
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
The style was popular in vaudeville and medicine shows and was associated with Beale Street, the main entertainment area in Memphis. W. C. Handy, the "Father of the Blues", published the song "The Memphis Blues" in 1909 and this was the first blues to be written down. [1] In lyrics, the phrase has been used to describe a depressed mood. [2]
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
This article originally appeared on Memphis Commercial Appeal: GloRilla awarded key to City of Memphis, performs at 901 Day event. Show comments. Advertisement. Advertisement. In Other News.
The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to the degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV).