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"Memphis Blues", Victor Military Band, July 15, 1914. It was not until Victor Recording Company's house band (Victor Military Band, Victor 17619, July 15, 1914) and Columbia's house band (Prince's Band, Columbia A-5591, July 24) recorded the song in 1914 that "The Memphis Blues" began to do well. [13] The original begins in the key of E-flat major.
"Stuck Inside of Mobile with the Memphis Blues Again" was written by Dylan, [5] who sang and played harmonica on the song, with Kooper on organ, and members of the A-Team of studio musicians that had been engaged for the album sessions: Charlie McCoy, Wayne Moss and Joe South (guitars), Hargus Robbins (piano), Henry Strzelecki (electric bass ...
"The Memphis Blues" was a campaign song written for Edward Crump, the successful Democratic Memphis mayoral candidate in the 1909 election [19] and political boss. The other candidates also employed Black musicians for their campaigns. [20] Handy later rewrote the tune and changed its name from "Mr. Crump" to "Memphis Blues."
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
The style was popular in vaudeville and medicine shows and was associated with Beale Street, the main entertainment area in Memphis. W. C. Handy, the "Father of the Blues", published the song "The Memphis Blues" in 1909 and this was the first blues to be written down. [1] In lyrics, the phrase has been used to describe a depressed mood. [2]
Minor chords are noted with a dash after the number or a lowercase m; in the key of D, 1 is D major, and 4- or 4m would be G minor. Often in the NNS, songs in minor keys will be written in the 6- of the relative major key. So if the song was in G minor, the key would be listed as B ♭ major, and G minor chords would appear as 6-.
This article originally appeared on Memphis Commercial Appeal: GloRilla awarded key to City of Memphis, performs at 901 Day event. Show comments. Advertisement. Advertisement. In Other News.
The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to the degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV).