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Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another.
Though finding the book's premise and most of its anecdotes and evidence "obvious", and criticizing Cain's over-reliance on anecdotes from people of privilege, the critic wrote that the book's best parts lay out the "tyranny of positivity—that particular American obsession with highlighting happiness over sadness".
In the midst of life, we are in death; Into every life a little rain must fall; It ain't over till/until it's over; It ain't over till the fat lady sings; It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so; It goes without saying; It is a small world; It is all grist to the mill
Anthony Horowitz used the rhyme as the organising scheme for the story-within-a-story in his 2016 novel Magpie Murders and in the subsequent television adaptation of the same name. [17] The nursery rhyme's name was used for a book written by Mary Downing Hahn, One for Sorrow: A Ghost Story. The book additionally contains references to the ...
Lacrimae rerum (Latin: [ˈlakrɪmae̯ ˈreːrũː] [1]) is the Latin phrase for "tears of things." It derives from Book I, line 462 of the Aeneid (c. 29–19 BC), by Roman poet Virgil (Publius Vergilius Maro) (70–19 BC).
Engraving by Jusepe de Ribera depicting the melancholic and world-weary figure of a poet. Weltschmerz (German: [ˈvɛltʃmɛɐ̯ts] ⓘ; literally "world-pain") is a literary concept describing the feeling experienced by an individual who believes that reality can never satisfy the expectations of the mind, [1] [2] resulting in "a mood of weariness or sadness about life arising from the acute ...
Biographer Kenneth Eble notes that the volume's title reflects with precision the final years of Fitzgerald's youth in the late 1920s: "All the Sad Young Men captures in a phrase the feeling he had in losing the most vibrant experiences of his life before age took them away." [5] Fitzgerald wrote the stories at a time of disillusionment.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...